Every year has its share of duds and turkeys. 2024 was no different except that even the rotten ones are too drab to have any real offence value.
Dhoom Dhaam is a medley of midnight shenanigans that oscillate between jumbled screenplay and out-of-place crusading, notes Sukanya Verma.
Social media buzz and reports fuel speculation around Kritika Kamra and Gaurav Kapur's March-April wedding.
Keerthy Suresh and Anthony Thattil share a lovely home in beautiful Kochi.
Shahid's heft is the only thing that keeps up the momentum in a mediocre rehash, dumbed down by flimsy motive and mindless bravado, sighs Sukanya Verma.
Black, White & Gray - Love Kills has a unique take on the standard murder mystery that may not be perfect but is very entertaining nonetheless, discovers Mayur Sanap.
Congress leader Rahul Gandhi has criticized the central government's alleged attempt to block the release of the Tamil film 'Jana Nayagan', calling it an attack on Tamil culture. The controversy surrounds the film's certification and release, coinciding with actor Vijay's entry into politics.
The nationalism of Sky Force is low key -- which is its weakness, as well as its strength -- and it does not manipulate the audience into a pre-decided hate-the-enemy response, observes Deepa Gahlot.
Ranveer has shown the right instincts in his choice of roles, which he has played with seeming effortlessness, backed with preparation and understanding.
Himesh Reshammiya does not have the swag or the acting chops to play a loose cannon cop, sighs Deepa Gahlot.
Border 2 saw the best opening ever for Bollywood since last year's Chhaava.
Gram Chikitsalay uses the same template as Panchayat but with a fraction of its humour or charm, observes Deepa Gahlot.
A superficial drama that never rises above its boring sentimentality, notes Mayur Sanap.
Watching Bazooka is like trying to figure out a long drawn-out puzzle that never makes sense, observes Arjun Menon.
Thudarum is a masterpiece for adults, a serious yet self-aware piece of cinema that has something for everybody, feels Arjun Menon.
While some of them were excellent, most were passable. But many were far superior to the theatrical releases.
An upright police officer fighting wrongdoing is something we have seen umpteen times before, but Khakee: The Bengal Chapter holds our interest, thanks to a layered and complex story with a dozen of well-detailed characters, observes Mayur Sanap.
Big films like Dhurandhar, Chhava and Kantara: Chapter 1 hit box office gold in 2025, and its directors, Aditya Dhar, Laxman Utekar and Rishab Shetty, have proved their worth. But many other directors made an impact with their 2025 releases, in various languages.
Dark, disturbing and full of gore, Fateh is gung-ho in its efforts to make this stylised action yarn as brutal as possible, observes Mayur Sanap.
The Critics Choice Awards was held at the Barker Hangar in Santa Monica and saw Hollywood's A-listers get honoured at the first awards ceremony of the year.
Naga Chaitanya and Sai Pallavi's competent performances barely elevate this romantic drama, which prefers patriotic thrills, observes Arjun Menon.
Mere Husband Ki Biwi collapses into an unremarkable My Best Friend's Wedding knock-off reducing a woman's worth to a catfight, observes Sukanya Verma.
Palak and Anuja endear us to their bittersweet world, observes Sukanya Verma.
Crime Beat is engrossing enough to binge-watch, endorses Deepa Gahlot.
Babil's palpable reactions to invasion of privacy make a strong case for Logout's plausible scenario, observes Sukanya Verma.
'The war in the trenches and the tank sequences were difficult.'
Patrick Graham's crime documentary The Dupatta Killer gives all sides of the story and leaves it to the viewer to fill in the blanks, notes Deepa Gahlot.
If we, as an audience, are mature enough to dissect facts from fiction, and propaganda from creative storytelling, the director and technical team deserve full credit for putting together an entertaining masala film that deserves a sequel, notes Divya Nair.
This movie is perfect for all ages. Avan Verma gives his thumbs up.
Film folk have been rewinding time and posting memories from 2016 on social media. That was certainly an interesting year, going by the many milestones these celebs are posting.
'I've been someone who has been interested in the mind of a criminal for years.'
Performances by Nimrat Kaur and Amol Parashar make the rather unimaginative show watchable, observes Deepa Gahlot.
Get the latest Mardaani 3 Box Office Collection Day 5. Check how much the Rani Mukerji film earned by Day 5, weekend trends and box office performance insights.
Atlee and Priya make an announcement: 'Our home is about to get even cozier with the addition of our newest member'
'Out of the 25 projects I've done so far, my decisions have always been driven by whether I find the character interesting. Not by how I might appear.'
Such a collection of amiable characters were last seen in Panchayat. There are greedy dowry seekers, criminals, misogynists and the like, but the collective goodness of the others keep violence and male chauvinism in check, notes Deepa Gahlot.
Scroll down to see pictures from Nupur Sanon's beautiful destination wedding.
As someone who could not predict a single beat in advance, who was exhilarated by its audacity to throw random elements together and take chances all over the place, Sreehari Nair thinks Odum Kuthira Chaadum Kuthira is one of the best films of the year.
The Sabarmati Report is so flimsy in its execution, taking offence to it would be dignifying its existence, notes Sukanya Verma.
